Monthly Archives: September 2009

Liam Finn – Champagne In Seashells

Liam Finn – Champagne In Seashells (Transgressive)

liam finn

For an example of the varied guises and stylistic diversity that Melbourne-born wunderkind Liam Finn is now capable of, one need only listen to the closing track on this excellent mini-album. Captain Cat Is Crying begins as a severe and spooked sound collage complete with a brassily-intoned narration (remnants surely from some sick old children’s programming), gradually weaning from that source with gentle vocal samples, rhythms investigated and abandoned until the base ingredients of wonderful epic slope into view. Almost imperceptibly, Finn conjures pop majesty from the merest of beginnings in a truly brilliant finish.

That’s not to decry the five songs that precede it, however, for they are imbued with wit, with honest sentiments and keening, weary pop, fuzzed to high heaven but somehow polished. The whirling organ bedding of Honest Face serves as a perfect balance to the squeaking guitar lines and stomping chorus, but it is the sound effects of waves crashing that tie the record together, remind us of the title and crystallise it as a complete work more than just a collection of songs. If these principles were applied to Finn’s next full-length release, we’d be in for a real treat.

This is out on the 21st September, and the review is in this month’s Artrocker. Which you should buy. Also, just so you know, there’s deliberately no references to Neil Finn in the review. I made the connection, but wanted to do a review that didn’t refer to it. He gets it all day I bet. More here.

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Filed under Longs

Congratulations Speech Debelle

Now, we may not have been right in our prediction, but boy are we pleased that Speech Debelle was selected to win this year’s Mercury Music Prize for her superb debut album, Speech Therapy. PM was at the launch of the album in Madame Jojo’s earlier in the year (thanks for the beer tokens, Big Dada records) and even as early as that it was clear that the record was unique at its inception.

Congratulations etc.

You can read PM’s review of the album here and here, and our initial (brief) predictions here. There will now, no doubt, be countless observations of how, in actual fact, this isn’t so challenging as an album and therefore not worthy of such a win. It’s not supposed to be challenging, it’s supposed to be good – and it is. You’d do well to find someone who tells their stories so sensitively and, more to the point, who quietly opposes the conventional notions of females in hip-hop. Her vulnerabilities, masked by bald cheek, are at the fore and make for a deeply satisfying album that, musically, is tremendous fun as well.  So, anyone with reactionary opinions that decry the record as merely being accessible hip-hop must consider exactly why that might be a good or a bad thing, and re-apply said opinion.

Juice Aleem for next year’s prize.

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Euros Childs – Like This? Then Try This

PM has been a long-time fan of the ramblings of Euros Childs, and this brand new album track from his FREE album (entitled, in a non-mistaken way, Son Of Euro’s Child) out TODAY is as a good a reason as any to think that PM is always right.

Anyway, you can get hold of the album at Euros’ website. Try it!

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Filed under Shorts